In 1972, Welch acted in Kansas City Bomber and had a cameo in Bluebeard. In Kansas City Bomber Welch played a hardened roller-derby star and single mother who tries to balance her desire for a happy personal life and her dreams of stardom. Life dubbed Welch the "hottest thing on wheels" for her role. The production of the film shut down for six weeks after Welch broke her wrist doing some of her own stunts.[51] In the interim, she flew to Budapest and filmed a cameo in Bluebeard opposite Richard Burton. Although Kansas City Bomber was not considered a critical success, it vividly depicted gender relations in the early 1970s. In a 2012 interview, Welch reflected on the roller derby world depicted in the film: "You have all those women out there, but the men in the front office are really running it. Which I thought was a really nice metaphor for the way a lot of women felt about their lives at that time."[52]
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In 1974, Welch won a Golden Globe Award for Best Motion Picture Actress in a Musical or Comedy for The Three Musketeers. She was also nominated for a Golden Globe Award for her performance in the television drama Right to Die (1987). In 1994, Welch received a star on the Hollywood Walk of Fame at 7021 Hollywood Boulevard. In 2001, she was awarded the Imagen Foundation Lifetime Achievement Award for her positive promotion of Americans of Latin heritage throughout her career.[64][65] In 2012, the Film Society of Lincoln Center presented a special retrospective of the films of Welch at the Walter Reade Theater.[66]
Moore received considerable recognition in the late 1990s and early 2000s, earning Academy Award nominations for Boogie Nights (1997), The End of the Affair (1999), Far from Heaven (2002) and The Hours (2002). In the first of these, she played a 1970s pornographic actress, while in the other three, she starred as a mid-twentieth century unhappy housewife. She also had success with the films The Big Lebowski (1998), Magnolia (1999), Hannibal (2001), Children of Men (2006), A Single Man (2009), The Kids Are All Right (2010), and Crazy, Stupid, Love (2011). She won a Primetime Emmy Award for her portrayal of Sarah Palin in the television film Game Change (2012). She won the Academy Award for Best Actress for her portrayal of an Alzheimer's patient in Still Alice (2014) and was named Best Actress at the Cannes Film Festival for her role in Maps to the Stars (2014). Among her highest-grossing releases are the final two films in the series The Hunger Games and the spy film Kingsman: The Golden Circle (2017).
The late 1990s and early 2000s saw Moore achieve significant industry recognition. Her first Academy Award nomination came for the critically acclaimed[48] Boogie Nights (1997), which centers on a group of individuals working in the 1970s pornography industry. Director Paul Thomas Anderson was not a well-known figure before its production, with only one feature credit to his name, but Moore agreed to the film after being impressed with his "exhilarating" script.[1][11] The ensemble piece featured Moore as Amber Waves, a leading porn actress and mother-figure who longs to be re-united with her real son. Martyn Glanville of the BBC commented that the role required a mixture of confidence and vulnerability, and was impressed with Moore's effort.[49] Time Out called the performance "superb",[50] while Janet Maslin of The New York Times found it "wonderful".[51] Alongside her Oscar nomination for Best Supporting Actress, Moore was nominated at the Golden Globe and Screen Actors Guild awards, and several critics groups named her a winner.
For her next project, Moore actively looked for another comedy.[109] She had a supporting role in Crazy, Stupid, Love, playing the estranged wife of Steve Carell, which was favorably reviewed and earned $142.8 million worldwide.[110][111] Moore was not seen on screens again until March 2012, with a performance that received considerable praise and recognition. She starred in the HBO television film Game Change, a dramatization of Sarah Palin's 2008 campaign to become Vice President. Portraying a well-known figure was something she found challenging; in preparation, she conducted extensive research and worked with a dialect coach for two months.[112] Although the response to the film was mixed, critics were highly appreciative of Moore's performance.[113] For the first time in her career, she received a Golden Globe, a Primetime Emmy, and a SAG Award.
Moore made two film appearances in 2012. The drama Being Flynn, in which she supported Robert De Niro, had a limited release.[114] Greater success came for What Maisie Knew, the story of a young girl caught in the middle of her parents' divorce. Adapted from Henry James's novel and updated to the 21st century, the drama earned near-universal critical praise.[115] The role of Susanna, Maisie's rock-star mother, required Moore to sing on camera, which was a challenge she embraced despite finding it embarrassing. She called Susanna a terrible parent, but said the role did not make her uncomfortable, as she fully compartmentalized the character: "I know that that's not me". 2ff7e9595c
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